Inger Tudor is a graduate of London Academy of Music and Dramatic Art, Harvard College and Harvard Law School. She is a member of The Road Theatre, Theatre of NOTE and Rogue Machine Theatre and a guest artist with A Noise Within and Antaeus Theatre Company. Los Angeles theatre credits include: I Go Somewhere Else (Playwright's Areana - Stage Raw nomination for Best Production and Best Ensemble), The Suppliant Women, Honky, Stop Kiss (Rogue Machine), Antigone (A Noise Within), Diet of Worms, Slither (Chalk Repertory), Going to St. Ives (Actors Coop - LA Stage Scene Award, Stage Raw and NAACP nominations for Best Lead Actress), What May Fall, Just Say No, Food for Fish (NOTE), The Exorcist (Geffen Playhouse), Stuff Happens (Mark Taper Forum), The Maids (Stage 54 – 4 NAACP Theatre Award nominations) and Romeo and Juliet: Antebellum New Orleans, 1836 (Boston Court – NAACP Theatre Award nomination - Best Supporting Actress). Television credits include: Goliath, Doubt, Aquarius, Hand of God, House, NCIS, General Hospital and Without a Trace. Film credits include: Voodoo Macbeth, On Time (Best Actress Awards - Ikuska Flm Festival, Spain and Grand Off Film Festival, Poland), Elizabeth Blue, Lemon, Stairways, The Social Network, The Lost One and The Making of "Grits" (Mockumentary Festival - Best Actress Award). Voice-over credits include: Jefferson’s Garden, The Goodbye Girl (L.A. Theatre Works), The Grim Sleeper: The Lost Women of South Central, Engineering Infinity (Deyan Audio) and voice-over narration for the blind for film and television through the Media Access Group at WGBH. Inger's directing credits include: My Children, My Africa (Actors Co-op), The View from Here (The Actors Workout Studio), Around the Clock Festival (Rogue Machine Theatre), Local Story and NOTEworthy Playwrights Workshop (Theatre of NOTE), The Colored Museum (Ames Hall).